![]() ![]() "One of the best parts about writing Shine Bright was to merge the memoir with the biography," Smith says. Smith has, in her own way, been leading others down that path for over 30 years, in her work as a writer and editor for several publications, including Vibe and Billboard, and currently as the host of the podcast Black Girl Songbook, a show that Smith says, "exists to give Black women the credit that we deserve." Shine Bright, which releases on April 19, is part memoir, part history of musical icons like Whitney Houston and Aretha Franklin, but it also shines light on some of music's more unheralded figures like The Dixie Cups and Deniece Williams. "I feel a commonality with women who try to make things, women who are loud, women who say things, women who write things, talk about themselves, sing about themselves," Smith says in an interview with NPR. ![]() ![]() This path she describes is one that positions the music not just as entertainment, but as an integral part of Smith's life and kinship with other Black women. That question is an acknowledgement of the countless Black women who have shifted and shaped American popular music, and whose influence on Smith makes up the subject of Shine Bright. In her forthcoming book, Shine Bright: A Very Personal History of Black Women in Pop, Danyel Smith writes, "Who else but a Black woman would lead me, or at least take me on trial runs?" Maureen Mahon's Black Diamond Queens, Danyel Smith's Shine Bright and Daphne Brooks' Liner Notes for the Revolution celebrate Black women's role in popular music. ![]()
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